|
|
Leadership Developer •
Coach & Facilitator • Writer
|
|
|
|
Welcome to the September 2026 Newsletter
So no, I never did
get to see The Odyssey and I'm fine with that. I did get to
spend huge tracts of time in the sea and floating around the
house in the one heatwave dress I own. And I'm very
much enjoying wearing jumpers again as it all cools down - though
discovering all the new moth holes is less lovely.
|
|
|
|
Quite the
month. There was a night of wild camping with the
obligatory ticks, several days walking on the South Downs
while nursing an injured knee. Frida Kalhlo and some
stunning pasta at Bancone. 30 mins a day learning Spanish with
Pimsleur (and as Mr Gomez and I are buying things in pesos,
I realise I'm learning south American Spanish) ahead of a long
holiday. A poetry course with Tom Hirons.
A wonderful few days camping at Into The Wild festival. And
a trip to York to hang out with a much-loved friend.
September has a three week holiday in but otherwise will be
much calmer. Probably not true for the state of the world
though - so find what grounds you, or some coat tails to hold
onto, and I'll see you in October.
With love
Helena x
(pic: Natalia Shaloshvili)
|
|
|
|
|
'Hope
captures the belief that on the other side of pain there can be
renewal.'
Letitia
Wright
|
|
|
|
|
|
Ending
Well - a new Substack
|
|
|
|
|
I'm experimenting.
Somewhat late to the party, I've started a Substack - a new
medium for me. Ending Well, I'm calling it. As a
way to practice writing, and to think aloud about endings in all
their forms in organisations and beyond - including death
and dying.
Take a look - just two posts
up at the moment. I still have to get the look and feel of
it a bit jazzier, but I think I have the basics in place for
now. I'll include new posts here, but you might like
to subscribe to it, if you want the posts as I write
them.
...and if anyone good with Substack can spot
things I could do to make this be better formatted in any
way, please don't hesitate to give me feedback - all
comments welcome...
(pic: Barry
Wilson)
|
|
|
|
Who do we choose
to be?
That's the question Meg Wheatley asked some time ago.
And she was asking it as we consider walking:
The undulating
road downwards.
That's a phrase from Australian journalist Sarah Wilson's
excellent new book, I Eat The Stars - How to Live Fully
and Beautifully in a Collapsing World. The
book's title is from a poem that includes the lines:
Sometimes as an
antidote
To fear of
death,
I eat the
stars.
For me, it's a return to reading about collapse, building on other
stuff by Meg Wheatley, Jem Bendell and Stephen Jenkinson.
In fact, Meg Wheatley mentored Sarah Wilson in writing this
book. I think you likely already know how my own views
incline - that we're past the point of being able to prevent
global warming and a climate crisis, that we're in a
mega-crisis - 'a set of interacting crises severe in impact,
complex in nature and global in fallout, with no distinct start
and end point' - and likely in the early stages of global system
/ societal collapse.
I know. Please
do move speedily on to another section if that's too much. Also, other views are
available.
And, as ever, I find reading about this - and facing into the
full consequences of this view - more galvanising than
depressing. And it's not just me. For example, pretty much
all the literature on death and dying suggests that when we
can connect fully with our own mortality, then we're able to
connect more fully with life and living. And those authors
mentioned above are similar. They accept that our global
and social systems have received a terminal diagnosis and now can
only receive palliative care. And they also focus on
how we can live really well through all of this - we can choose
who we want to be in these very difficult times
ahead. By which they mean drawing on the best of our
humanity in ways that involve community, connection,
collaboration and include joy and love - and eating lots of
stars. They have hope that we can walk a good path together
on this undulating road downward.
Reading this book coincided with watching a showing of The People's Emergency Briefing.
Released in April 2026, the documentary is fronted by naturalist
Chris Packham and features scientific experts talking about the
risks of climate change and nature loss to health, food security,
infrastructure, and national security. It adapts evidence first
presented at the live National Emergency Briefing held in
Westminster in November 2025, which briefed UK politicians and
decision-makers. See if you can find somewhere
that's showing it near you - highly recommended and IMO essential
viewing for us all. And in fact, on that website you'll see
there's a petition to show the film on prime time UK TV.
Then listening to Caroline Lucas talk with Rory Stewart about
this film (among other things) on The Rest Is Politics was
also a good use of 45 mins.
And yes this is
deeply worrying, upsetting and unsettling. But as James
Baldwin says. 'not everything that is faced can be changed -
but nothing can be changed until it is faced'.
(pic: Gloria Loughmani)
|
|
|
|
|
'We don't
know what's going to happen, so live
beautifully regardless'.
Sarah
Wilson
|
|
|
|
|
I finally started
listening to the latest On Being podcast series. I
began with Michael Pollan. I like
him, always have, and in this conversation he and Krista are
exploring consciousness. And plants of course - which is
also his thing. It's a good listen. But it's one
phrase he used that really leapt out at me.
A reducing
valve. The idea that we live with a reducing
valve turned on tightly, that limits therefore what we can see
and perceive. Plant medicines that have mind-altering qualities
allow this valve to open (he's talking about coffee, as well as
psilocybin and other psychedelics) and so with them we see things
we ordinarily wouldn't. The phrase comes from William
Blake, I think.
Which also reminds me of the the general question we might ask
ourselves when we come to a situation or experience we want
to come to a judgement about. What am I not seeing here? I'm
trying to use that more - helps me stay open.
And it also reminded me of a supervisor I worked with a decade
ago who urged me with considerable passion to never let your life get
small.
I have no idea what this might mean for me, but it does feel
important.
(pic: Ayako Miyawaki)
|
|
|
|
My friend just
started a journal she saw on Instagram. It comes as a
beautiful book - of course it does. Flicking through it I found
myself envying her the exploration.
But it did remind me that in my field there are heaps
of great frameworks for thinking, reviewing, building
reflexivity and awareness.
I have two favourites. One is the Experience Cube from Gervais
Bushe, a deceptively simple 4-part frame that helps us break down
and separate out what's going on when we experience something.
First (although take these in any order - it can help to mix
them up a bit) what we Observe, by finding as close to what we
might agree on as an objective truth as is possible.
Then, the stories we tell ourselves, the stuff we make up
about, the assumptions we hold about and the evaluations and
judgments we make about those things - that the model calls
Thoughts.
No surprise that we we then bring in Emotions - what we feel
about the things we observe and about the stories we're telling
ourselves. Remembering that emotions are as much about
sensations in the body as anything.
Then our Wants - in this particular experience, what do we
want? As outcomes, yup. But also deeper
than than - our longings or needs are often deep down
and sometimes hard to know about and to admit even to
ourselves. This one is a surprisingly tricky one to answer for
many people.
Often for us, an experience is like concrete - an amalgam of
various substances stuck together into one lump. Using the
Cube to identify the various elements and lay them out
before us is almost always a deeply helpful thing to do.
And to see which aspect you found hardest/easiest
to access. Or whether it was tricky to differentiate
between thoughts and feelings.
There's short piece on using the Cube here. There’s a very
good longer article on the Clear Leadership website. I
can’t seem to get a link to work but if you look at Research and Writing / Experience Cube on
the site you’ll find it easily enough.
The second frame I love is What, So What, Now
What. Shorty explanation here. I like it for
its almost preposterous simplicity but also for the
fact that you can go absolutely anywhere under So What.
Including looking at three quarters of the Experience Cube.
And of course, those gorgeous journals are always
an option.
(pic: Ganesh Pyne)
|
|
|
|
|
''We are
wandering initiatory times but lacking an initiatory language'.
Martin
Shaw
|
|
|
|
|
NEW - BOOK GROUP -
FRANCIS WELLER'S THE WILD EDGE OF SORROW
The session I ran on William Bridges' Managing
Transitions went well so I thought I'd do another. I'm
playing with taking a book that's not about
organisations to see what it can offer those of us working
in organisations. The Wild Edge of Sorrow is
about grief
- because where there is change there is also loss and where
there is loss, usually grief. But in organisational
life, that doesn't really get named or given room.
It's an excellent book. And you don't have to have read it
to come along - I'll be introducing some of the core material as
part of the session.
Details and booking here.
ACTS OF LOVE FOR TOUGH TIMES online, free
The next Acts
of Love for Tough Times workshop explores
how a loving
response is the only sane response to these
challenging times we're in. The next one is Sept 15 0800-1000 BST and
we'll be looking at how appreciation and
acknowledgement can help us through these
discombobulating times.
ENDINGS
AND BEGINNINGS 18 Sept, in London
Fully booked -
please contact me to join a wait list.
How we can make endings good ones by drawing
on what palliative
care and the role of an end of life doula
can teach us, how we might work with ritual to
create movement and release stuckness, recognise the complexity of emotions
during endings, and remind ourselves that most of the
lessons we need to learn to do endings well in organisations come
from nature.
Info here.
(pic: Strangford)
|
|
|
|
|
'To
pay attention, this is our endless and proper work'.
Mary
Oliver
|
|
|
|
Tomatoes
I waited so long for
love
and suddenly,
here it is
standing in the
garden, hands full
of heirlooms hot
from the sun.
Soon we’ll make
a supper of them.
Salted slabs
between slices of bread.
Your beard
silvers. My hips ripen.
The mail piles
up.
Phone calls go
unanswered. Forgive us.
Our mouths are
full of tomatoes.
We are so busy
being small and
hungry and alive
Joy Sullivan
(pic: Ruth
Evans)
|
|
|
|
Paul
Auster's New Yolk Trilogy came to me
as a birthday gift via Books for Good. I
always assumed I'd get around to reading it at some point in my
life. It wasn't what I was expecting at all - and not sure
I understood what it was about - but his writing is so good. And The Kindness of Strangers
from Emma Garmon was recommended by a friend, so I dusted off my
Library card to get it. An enjoyable and clever whodunnit.
I Eat The Stars I've already
mentioned - a punchy, lively and accessible read on what we're
facing. And A Field Guide to Getting Lost is
still sort-of on the go - our book group is finding it easy to
feel confused and lost as we read it. Which sounds about
right.
|
|
|
|
So I
did, in fact, go for that big bid. It's a long and slow
process, part of a long and slow RFQ, and it's helping me see
super clearly that this will most definitely be the last RFQ I
will write. I'm really done with them. Proposal and
pitches, for sure, of course. But not these mighty and
mostly hypothetical beasts that then have to contort themselves
through a procurement process.
Also prepping for an interview for another piece of work. And
while that also took up a lot of time, it was a pleasure and a
delight to make a pitch for 'please pick me'. I learned a lot in
the process and so whether or not they do pick me, some lovely
gifts have already arrived.
(pic: MJ
Scandin)
|
|
|
|
If you
enjoy this Newsletter, please do consider spreading the word and
sharing it with others who might appreciate it.
Helena x
helena@helenaclayton.co.uk
07771 358
881
And do
let me have any feedback or reactions - I love hearing
from you. You know where I am on LinkedIn, or connect via Email. Or call me of
course.
|
|
|
|
|
|
|
|
|